topbibl

Bibliografía - Música y Cerebro

Bibliography - Music and Brain

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CHANG, H.W. & TREHUB, S.E. (1977a), Auditory Processing of Relational Information by Young Infants, Journal of Experimental Psychology, 24, 324-331.
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COOK, R.B. (1973), Left-Right Differences in the Perception of Dichotically Presented Musical Stimuli, Journal of Music Theory, 10, 59-63.
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CUTTING, J.E. & ROSNER, B.S. (1974), Categories and Boundaries in Speech and Music, Perception and Psychophysics, 16, 3, 564-570.
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DAMÁSIO A.R. & DAMÁSIO, H. (1977), Musical Faculty and Cerebral Dominance, in Music and the Brain: Studies in the Neurology of Music, London, William Heinemann Medical Books Ltd, 141-155.
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DESPINS, J.P. (1989), La música y el cerebro, Barcelona, Gedhisa, 1ª ed. de 1986.
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DEUTSCH, D. (1982) The Psychology of Music, San Diego, California, Academic Press
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DOWLING, W.J. (1982), Melodic Information Processing and Its Development, en D. Deutsch ed. ‘The Psychology of Music’, New York, Academic Press.
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DOEHRING (1971), Discrimination of Simultaneous and Succesive Pure Tones by Musical and Nonmusical Subjects, Psychonomic Science, 22, 209-210.
DOEHRING (1972), Ear Asymmetry in the Discrimination of Monaural Tonal Sequences, Canadian Journal of Psychology, 26, 106-110.
DRAKE, R.M. (1940), The relation of musical talent to intelligence and success at school. Journal of Musicology, 2, nº 1.
DUCHATELET, P. (1986), Effects des lesions cerebrales sur les habilités musicales perceptives. Tesis de Licenciatura, Université Libre de Bruxelles.
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ECCLES, J.C. & ZEIER, H. (1984), El cerebro y la mente, Barcelona, Herder.
ELBERT, T. & ROCKSTROTH, B. (1996), Una huella en el córtex de los violinistas, Mundo Científico, 172, 880-883.
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GABRIELSSON, A. (1982), Perception and Performance of Musical Rhythm, Cap 9 de Music, Mind and Brain. The Neuropsychology of Music, Manfred Clynes ed. New York, Plenum Press, 159-170, 1982, 1ª de.
GAEDE, E., PARSONS, O.A. & BERTERA, J.H. (1978), Hemispheric Differences in Music Perception: Aptitude versus Experience, Neuropsychologia, 16, 369-373.
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GARDNER, H. (1971), Children ‘s Duplication of Rhythmic Patterns, Journal of Research in Music Education, 19, 355-360.
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GATES , A. & BRADSHAW, J.L. (1977), The Role of the Cerebral Hemispheres in Music, Brain and Language, 4, 403-431.
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GORDON, H.W. (1965), Musical Aptitude and Profile, Boston, Houghton Mifflin.
GORDON, H.W. (1970), Hemispheric Assymetries in the Perception of Musical Chords, Cortex, 6, 387-398.
GORDON, H.W. (1974), Auditory Specialization of the Right and Left Hemispheres, en M. Kinsbourne & W.L. Smith eds. Hemispheric Disconnection and Cerebral Function, Springfield, Illinois, Charles C. Thomas, 126-136.
GORDON, H.W. (1978), Left Hemisphere Dominance for Rhythmic Elements in Dichotically-Presented Melodies, Cortex, 14, 58-70.
GORDON, H.W. & BOGEN, J.E. (1974), Hemispheric Lateralization of Singing after Intracarotid Sodium Amylobarbitone, Journal of Neurology, Neurosurgery and Psychiatry, 37, 727-738.
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HARGREAVES, D.J. (1992). The Psychology of Music, Newcastle upon Tyne, Cambridge University Press.
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